For last year’s production of
The Lion King KIDS, Rosie took the lead in designing a cloak worn by Mufasa, Scar, and Simba as a symbol of royal status. Rather than creating a single cloak passed unchanged from lion to lion, Rosie designed three cloaks in varying stages of repair. These three cloaks created the illusion that one garment was physically transforming alongside the state of the Pridelands under each ruler’s leadership. Mufasa’s Pridelands are thriving, and his cloak is in perfect condition. When Scar usurps the throne and Mufasa is killed, the cloak is ripped and torn by the wildebeest stampede. Scar wears the damaged cloak without repairing it, representing the devastation of the Pridelands under his rule. Finally, when Simba reclaims the throne, the cloak is repaired — but not restored to perfection. Visible stitches bind the torn pieces together, symbolizing that the Pridelands is healing, with much work still to be done.
Rosie shared this concept at the METG contest with pride. They prepared a poster presentation featuring sketches, fabric swatches, research, and production photos, with all three cloaks displayed nearby. Speaking confidently, Rosie explained the meaning of “ingonyama nengwe ’namabala” from "Circle of Life": “In Zulu, this means ‘the lion wears the leopard spots,’” they shared, clarifying that leopard spots symbolize royalty and signify that the lion is a king. Rosie then directed the judges’ attention to the lining of the cloaks: leopard print. On the back of each cloak, Rosie explained that interlocking circles of colorful fabric represent the various animal inhabitants of the Pridelands — the “circle of life.” All animals are included, even the hyenas, despite the tension between them and the lions.
Rosie represented the story, their design, their school, and themselves with the confidence, joy, and intentionality we have come to expect from a Fayerweather student. Their hard work and creativity earned them 2nd place in the Middle School Excellence in Technical Theatre Contest. In addition to this exciting accolade, Rosie received a certificate and a small scholarship from METG, intended as “an investment in [their] future success as an artist,” with the hope that this resource will “strengthen [their] own capacity to produce work of a superior quality.”
And now, we look ahead to
The Giver this spring. With a script rich in opportunities for powerful performances and unforgettable technical effects, we know that Rosie and their peers in the Unit will go above and beyond with their creativity, curiosity, and advocacy as young artists. We are so fortunate to create theatre in a generous and loving community — thank you for supporting the arts at Fayerweather, and stay tuned for more updates about
The Giver and the METG (including auditions on January 21!).